Reviews
After Thirty Years, Dropkick Murphys’ Anti-Authoritarian Flag Still Flies
The Irish punk veterans sold out Cain’s for a massive, Guinness-soaked celebration of class solidarity
If I Had Missed This, I Would Have Been Pissed
The Polish Boarte Trio put on a breathtaking show of a little-known composer after some lackluster Haydn and Debussy
Is Nine Inch Nails The Greatest American Rock Band?
Salvation by synth with Reznor & Co. at the BOK Center
“Roughly Right” Doesn’t Need You To Be Perfect
Alicia Kelly’s show at 108|Contemporary brings a carpenter’s materials and an artist’s mentality together
The 90-Minute, One-Act Play That Made Me Weep 3 Minutes In
Spoken word meets song and movement in World Stage Theatre Company’s “for colored girls who have considered suicide / when the rainbow is enuf”
At The Spotlight, The Rivalry Between OKC And Tulsa Is Made Musical
The historic venue hosted a night of rappers and DJs, put together by ThunderWof. and dj noname.
In Chicago, Bruce Goff Finally Gets His Due
The Art Institute’s “Bruce Goff: Material Worlds” shows Goff as he was meant to be shown
The Impossibly Strange Beauty Of Ghanaian Movie Posters
Mixed-Use Space Tulsa hosted Deadly Prey Gallery's surreal cinematic gold and Tulsans flocked to see it
Theatre North’s “Nat Turner in Jerusalem” Is As Clear As A Flame
Set on the last day of Nat Turner’s life, the 90-minute two-man play is a masterclass in effective cinematic direction
I Woke Up To A New World In “Sleeping Beauty”
Tulsa Ballet’s new production brought depth and detail to a century-old classic
