Reviews
Everything Happening At All The Right Times: TSO Does Brahms And Kodaly
What I thought might be filler instead moved the crowd to tears
A Night Of Uncategorizable Talent
The first show of the year at Drifters Theater was the reset we needed
At Philbrook, “Wall Flowers” Offers An Exquisite Vision Of Care
Make this show the last thing you see this year
Elise Paschen’s “Blood Wolf Moon” Is An Unflinching Look At Identity And Inheritance
The Osage poet who inspired the title “Killers of the Flower Moon” is back with an astounding new collection
At A Honduh Daze Show, Balloons, Stand-Up Comedy, And Sales Pitches Are All Part Of The Punk Act
A punk comedy show at Whittier that blew me away—and probably damaged my hearing
With “Wake Up Dead Man: A Knives Out Mystery,” The Franchise Takes Its Biggest Swing Yet
The third iteration in the series is by turns tender, hilarious, and terrifying
They Should’ve Let Me Call In Sick After Watching “Hamnet”
A dark, quiet showing of the film at Circle Cinema was exactly what its subject matter called for
As A Theatre Critic, I’ve Ranked Tulsa’s Holiday Lights Shows By—What Else?—Drama
All the festivity you can handle, from free to fancy
For Say Anything And Max Bemis, Time Circles Back On Itself
Say Anything, by now elder statesmen, brought their irreverent emo to Cain’s
The Deliciously Unsettling Power of Clayton Keyes’ ‘Subterfuge’
The ceramics exhibition at 108|Contemporary explored complex ideas with both frankness and subtlety
