Reviews
I Woke Up To A New World In “Sleeping Beauty”
Tulsa Ballet’s new production brought depth and detail to a century-old classic
Finding Love In Broken Arrow In ‘Almost, Maine’
Broken Arrow Community Playhouse’s Valentine’s play is full of giddy charm
“Beauty And The Beast” Still Has The Stuff
The touring show cut through any pretensions I might have had about it
A Night With Brooklyn Rider At WOMPA Delivered Strings, Glass, And Grit
Who knew Philip Glass would sound so good in an industrial warehouse?
Tulsa Opera’s “The Pirates of Penzance” Was As Touching As It Was Hilarious
Set, cast, stage management, and orchestra were all top-notch in director Eve Summer’s version of the classic Gilbert & Sullivan operetta
In “Doctor Faustus,” A Reckoning With Morality—And Puppets!
Gaslight Theatre’s surprising directorial additions make an old play feel fresh
In “The Just Assassins,” Little Shop Of Productions Wrestled With The Ethics Of Revolutionary Violence
Director Anna Seat made the 1949 play by Camus feel eerily resonant
In “Thru A Lens,” Candacee White Looks Farther Than Ever
A show at Liggett Studio had me seeing everything differently
There’s Nothing Quite Like “Hadestown”
In front of a crowd of true devotees, the Tony Award-winning show overcame some casting stumbles to prove how good musical theatre can be
Everything Happening At All The Right Times: TSO Does Brahms And Kodaly
What I thought might be filler instead moved the crowd to tears
