Reviews
In “The Just Assassins,” Little Shop Of Productions Wrestled With The Ethics Of Revolutionary Violence
Director Anna Seat made the 1949 play by Camus feel eerily resonant
In “Thru A Lens,” Candacee White Looks Farther Than Ever
A show at Liggett Studio had me seeing everything differently
There’s Nothing Quite Like “Hadestown”
In front of a crowd of true devotees, the Tony Award-winning show overcame some casting stumbles to prove how good musical theatre can be
Everything Happening At All The Right Times: TSO Does Brahms And Kodaly
What I thought might be filler instead moved the crowd to tears
A Night Of Uncategorizable Talent
The first show of the year at Drifters Theater was the reset we needed
At Philbrook, “Wall Flowers” Offers An Exquisite Vision Of Care
Make this show the last thing you see this year
Elise Paschen’s “Blood Wolf Moon” Is An Unflinching Look At Identity And Inheritance
The Osage poet who inspired the title “Killers of the Flower Moon” is back with an astounding new collection
At A Honduh Daze Show, Balloons, Stand-Up Comedy, And Sales Pitches Are All Part Of The Punk Act
A punk comedy show at Whittier that blew me away—and probably damaged my hearing
With “Wake Up Dead Man: A Knives Out Mystery,” The Franchise Takes Its Biggest Swing Yet
The third iteration in the series is by turns tender, hilarious, and terrifying
They Should’ve Let Me Call In Sick After Watching “Hamnet”
A dark, quiet showing of the film at Circle Cinema was exactly what its subject matter called for
