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Michael Wright Wants Tulsa To Play More
Trust when we say: experimental theatre won't hurt you.
A Lady’s Guide To Love And Murder, But Mostly Murder
"Lizzie," Theatre Tulsa’s latest collaboration series project with Kristen Simpson, brought big sounds, bigger feelings, and birds
The Best Worst High Schoolers You’ve Ever Met
In ‘Dog Sees God,’ directed and self-produced by Karmen GoldenBough, aged-up Peanuts characters were going through it
The 90-Minute, One-Act Play That Made Me Weep 3 Minutes In
Spoken word meets song and movement in World Stage Theatre Company’s “for colored girls who have considered suicide / when the rainbow is enuf”
Finding Love In Broken Arrow In ‘Almost, Maine’
Broken Arrow Community Playhouse’s Valentine’s play is full of giddy charm
In “Doctor Faustus,” A Reckoning With Morality—And Puppets!
Gaslight Theatre’s surprising directorial additions make an old play feel fresh
In “The Just Assassins,” Little Shop Of Productions Wrestled With The Ethics Of Revolutionary Violence
Director Anna Seat made the 1949 play by Camus feel eerily resonant
What’s Everybody Looking Forward To In 2026?
The Pickup's writers forecast the new year
As A Theatre Critic, I’ve Ranked Tulsa’s Holiday Lights Shows By—What Else?—Drama
All the festivity you can handle, from free to fancy
Is It Opera? Is It Musical Theatre? Yes.
Tulsa Opera gets help from community artists and national stars for a rousing production of ‘The Sound of Music.’
