Reviews
At A Honduh Daze Show, Balloons, Stand-Up Comedy, And Sales Pitches Are All Part Of The Punk Act
A punk comedy show at Whittier that blew me away—and probably damaged my hearing
With “Wake Up Dead Man: A Knives Out Mystery,” The Franchise Takes Its Biggest Swing Yet
The third iteration in the series is by turns tender, hilarious, and terrifying
They Should’ve Let Me Call In Sick After Watching “Hamnet”
A dark, quiet showing of the film at Circle Cinema was exactly what its subject matter called for
As A Theatre Critic, I’ve Ranked Tulsa’s Holiday Lights Shows By—What Else?—Drama
All the festivity you can handle, from free to fancy
For Say Anything And Max Bemis, Time Circles Back On Itself
Say Anything, by now elder statesmen, brought their irreverent emo to Cain’s
The Deliciously Unsettling Power of Clayton Keyes’ ‘Subterfuge’
The ceramics exhibition at 108|Contemporary explored complex ideas with both frankness and subtlety
In ‘Monument Eternal,’ The Mountain Isn’t The Whole Story
Le’Andra LeSeur’s show at the TAF Flagship considers the weight of history, embodied resistance, and the texture of being present
Scotland’s Maxwell Quartet Became A Trio And Still Turned In A Win
Down a violinist and scrambling after a travel nightmare, the group ended up giving one of the warmest, most human concerts of the year.
With “The Seagull,” Tulsa Gets Another Classic Play Well Done
Little Shop of Productions brought renewed reverence and relevance to the 1896 Chekov play
Is It Opera? Is It Musical Theatre? Yes.
Tulsa Opera gets help from community artists and national stars for a rousing production of ‘The Sound of Music.’
