Invisible Tethers
The Bird House
December 14, 2024
Eden Hemming and Brad Rose’s Bird House micro-gallery takes on a big assignment for its inaugural show: it seeks to create a new, community-centric space for art outside of the narrow Arts District corridor while inviting visitors to reflect on how they experience their surrounding environment.
Across the Arkansas River on the Tulsa/Jenks border, Hemming and Rose created the Bird House as a small backyard gallery to showcase experimental artworks. In the same vein as Queen Rose Art House, Cult Love House, and the Owen Park Tiny Porch Concerts, the Bird House opens up an intimate space for visitors to be a part of equally intimate art. For their first exhibition, Hemming and Rose showcase Invisible Tethers, an immersive installation piece by Rose consisting of an eight-foot wind harp, blank cards for visitors to draw on, and a sound piece, all grounded by a fallen maple branch suspended by gold wire at the end of the house.
Visiting the piece on opening day proved to be an adventure. After receiving the gallery address via email, my partner and I drove from Midtown out into the suburbs and parked in a quiet neighborhood that starkly contrasted to the busier downtown gallery spaces. The gallery itself was a sliver of bright pink peeking out from behind the corner of the Hemming-Rose house, which made it easy enough to find in this nontraditional setting. As we rounded the corner to go into the very tiny exhibition space, we were met with a line full of our friends waiting to get in. We chatted with them briefly and were quickly pulled away by other conversations happening around the gallery.